Chapter 1: Introducing Theories of Performance
                              Theory in Perspective: Can You See the Forest for the Trees?
 
 
                              Theory Questions: What? Why? How?
 
 
                              Kinds of Theory Questions
 
 
                              Assumptions about How Language Operates in Theory
 
 
                              Two Models of Communication
 
 
                              Performance as a Communicative Form
 
 
                              Assumptions about Performance: Mimesis, Poiesis, and Kinesis
 
 
                              Performance as a Key Term
 
 
                              Definitions of Performance
 
 
                              Claims about Performance: Constitutive, Epistemic, and Critical
 
 
                              Rethinking Theory and Performance
 
 
 
Chapter 2: Constituting Performance
                              Theory in Perspective: What Makes a Performance?
 
 
                              The "Nature" of Performance
 
 
                              Constituting Performance through Framing
 
 
                              Constituting the Performance Frame through Keying
 
 
                              Constituting Performance through the Performer
 
 
                              Constituting Performance through Audience
 
 
 
Chapter 3: Performing Texts
                              Theory in Perspective: What Is a Text?
 
 
                              Humans and Symbol Use: Text Me Later. OK?
 
 
                              From Orality to the Page to the Screen
 
 
                              Interpreting the World as "Text"
 
 
                              When Text Meets Performance
 
 
                              Drama, Script, Theater, and Performance
 
 
                              Assumptions about Texts: Canon, Textuality, and Materiality
 
 
 
Chapter 4: Performing Drama
                              Theory in Perspective: How Is the World a Stage?
 
 
                              The Drama of a Roller Coaster Ride
 
 
                              Reigning Metaphor: Life as Drama
 
 
                              What Is Aristotelian Drama?
 
 
                              Audience and Dramatic Form
 
 
                              Kenneth Burke's Dramatism: Life Is Drama
 
 
                              Performing Tragic and Comic Attitudes
 
 
                              From Dramatism to Social Drama
 
 
                              Social Drama: Raw Material for Performances
 
 
 
Chapter 5: Performing Culture
                              Theory in Perspective: How Do Cultures Perform?
 
 
                              Approaches to Studying Culture
 
 
                              From Studying "Man" to Theorizing Movement and Play
 
 
                              Rites of Passage: Moving through Culture
 
 
                              Characteristics of Ritual
 
 
                              From Great Tradition to Cultural Performance
 
 
                              The "Performance Turn" in Study of Culture
 
 
 
Chapter 6: Performing Social Roles
                              Theory in Perspective: Who Am I?
 
 
                              Don't Play Games with Me!
 
 
                              Teams: Performing Together
 
 
                              Regions: Performing Spaces
 
 
                              When Good Performances Go Bad
 
 
                              Role Distance and Discrepant Roles
 
 
                              Stigmas and "Spoiled" Identities
 
 
                              Passing Genders and Races
 
 
 
Chapter 7: Performing Identity
                              Theory in Perspective: How Am I a Subject?
 
 
                              Do Social Roles Assume a Foundational Self?
 
 
                              Performativity's Rejections and Projects
 
 
                              Performativity Project 1: Identity Constitution as Material and Historical
 
 
                              Performativity Project 2: A Strategy for Identity Critique
 
 
                              From Philosophy to Speech Act to Laws
 
 
                              Performativity Project 3: A Political Practice of Identity
 
 
 
Chapter 8: Performing Resistance
 
Chapter 8: Performing Resistance
                              Theory in Perspective: How Can Performance Change the World?
 
 
                              From Aristotle to Postmodernism
 
 
                              Bertolt Brecht on Performing Resistance
 
 
                              Alienation Effects of Epic Theater
 
 
                              Brechtian Techniques as Critical Lenses
 
 
                              Why Do People Take to the Streets? Models of Protest
 
 
                              Public Events through an Aristotelian Lens
 
 
                              From Traditional to Radical Dramaturgy
 
 
                              Analyzing Protest Events as Performances
 
 
                              The Body Politic: How Do Bodies Intervene?
 
 
                              Resistance in Everyday Life: Foucault's Productive Power
 
 
                              Resistance in Everyday Life: de Certeau's Strategies and Tactics
 
 
 
Chapter 9: Performing Technologies
 
Chapter 9: Performing Technology
                              Theory in Perspective: What Exists?
 
 
                              Caveat Emptor: Buyer Beware of Old and New
 
 
                              What Is Technology? Extending Human Bodies and Powers
 
 
                              From Deus ex Machina to Flash Mobs: Extending, Enabling, and Accessing Performance
 
 
                              Performance Presence: An Ontology
 
 
                              Six Types of Theatrical Presence
 
 
                              Losing the Aura of Presence
 
 
                              Simulacra: There Is No Original
 
 
                              Cyborg Bodies: Human and Machine
 
 
                              Musical Performance: Is it Live or Is It Memorex?
 
 
                              Interactivity: From "Poke and See," Cyberpoetry, to Computer Art Environments
 
 
                              Reach Out and Perform Someone: Five Kinds of Mediated Presence